SoundLust

Before music there was silence

Three Keyboards and The Machine

thank you phoenixheads. means a ton..._b on Twitpic
from Silversun Pickups, their photo from Marquee Theatre stage, Phoenix, July 17, 2010

Just over an hour ago. Three bands at The Marquee in Phoenix. The best concert I’ve been to all year – for the music alone. Each band had a keyboard player, which is more rare than you think.

Also rare? All three bands good enough to headline. Not popular – good. The Henry Clay People were first and you usually expect some kind of throwaway (you shouldn’t have to expect that by the way) but they surprised me and the crowd I think by how skilled they were. They were also there after the show, selling their own merch., friendly, talkative. (Look for a SoundLust review of their new CD, Somewhere On the Golden Coast soon!)

And the keyboard off to stage right, left as the audience looked. Against Me were next. Been around, been good forever with controlled chaos chops and enthusiastically attacking everything they get their white-knuckled hands on.

Fans of hard-driving punk rock? See ‘em. Jump. They deserve respect and earn it. Keyboard player. Off to stage left, right as the audience looked.

And then there’s the Silversun Pickups.

Look, they were what made the show something different, something up, something soaring above. How? Why? They keep an edge to their live music; an experimental energy and unpredictability that invigorates – at some level – anyone else with a creative bone in their body made alive by music.

If they can keep it, that’ll bode well. Not only for the crowds, but for their own sustainability as a band.

I’d never seen them live and except for a little too much reliance on the machine gun guitar pedal effect, they jellified my soul. Their hits were suitably highlights — Panic Switch, Lazy Eye, The Royal We – but to me the thrill was seeing them perform and interact and amaze with every single song, fast and slow. Keyboard player, off to stage right, left as the audience looked.

I want anyone who has a chance to go, to report back and to let me know their experience.

For a band considering themselves small-scale, they have a simplistic set, with stunningly effective lighting that strobes the band in lines of color but often puts them in silhouette.

Tight’s not the right word, but in control – every second.

posted by Temple in Live Music and have Comments (2)

Beats and Brushes: Desert Bloom 2 Opens Up Music, Visual Collaboration

“If it sounds too good to be true, it probably is.” You’ve heard that. It’s wise.

Also, occasionally wrong.

Desert Bloom, and all its sights and sounds, plans to show you just how wrong by setting things right. Friday, the event that seeks to meld music and art heats up for Round 2. It’s free.

“It’s not a music festival,” says organizer Brandon Franklin. “It’s a hybrid.”

Beats and Brushes: Desert Bloom 2, brings together eight artists Gabe Velez, Heather Kozan, Jamie Mulhern, Nicholas DiBiase, Shannon Elizabeth Harden, Tony Deschiney, Victor Moreno and Dumperfoo. They and the public will paint with oils, watercolor, spackle – anything sanitary – with a background setting of seven sound-shifting DJs: [forced future], offering electro, industrial, cyberpunk sounds; Consumer (jungle / d&b); Halfacat (dubstep, d&b); Matt X (downbeat); Molotrash (60s Soul, RnB, 80s dance); RayRay (house, breaks); and William Reed (punk, new wave, Britpop) In the mix is a Jay McGavren light show.

Anyone who walks through the front door will suddenly have to decide what to do with the paintbrush smacked down in their palm. The goal by the end of the evening is to have four complete, large scale murals to likely be auctioned, painted by the artists and the audience.

The venue is free. The venue is Gangplank, a space rapidly gaining attention to the connected or those connected to them. Starting out as a shared work area for tech companies to share costs, and just as importantly ideas. It continues to grow into something bigger — and striving not to be too good to be true.

“No one get’s a free lunch.”

You’ve heard that, too. Gangplank won’t give you lunch, but they’re big on free. Free form. Free association. Freedom of thought. And increasingly, free space for different communities to find new ways to collaborate and eat lunch. Or dinner. Or 3 am burritos.

Branching out into music is new for Gangplank founder Derek Neighbors and his crew. Gangplank recently hosted its first Open Mic night for musicians, July 9, with Kenny Bump and Morgan Benavidez setting the tone before the spontaneous took over.

“Virtually every culture around the world has some form of music regardless of how remote or isolated,” Neighbors wrote to SoundLust. “It is at the very core of our DNA.

“For us music is one of the bases to express creativity. Which makes it a cornerstone of bringing in a culture of collaboration/ innovation. People looking to create are inspired and driven by other creators.  It only makes sense to have a building block like music supported to fuel creation.”

For Neighbors, support for growing Phoenix’s new economy comes about by “providing resources and outlets for all types of creatives.”

It’s within this freedom of space that Franklin, Brandon Mason, Greg Taylor and DiBaise started to believe their loose ideas for a hybrid clash of the arts could actually happen. Given a tour several months ago of Gangplank’s new digs in downtown Chandler (260 S. Arizona Ave.) Franklin said a planned recording studio, open to any style, and small-venue, high-end sound system seemed, well, too … perfect. But it set in motion Desert Bloom.

“I get teary-eyed just thinking about what they’re offering,” Franklin tells SoundLust. “It’s just ridiculous, ridiculous to even think of a free recording space. It’s unheard of but it’s going to happen.”

“[We] had one meeting with them and they ran with it,” Neighbors wrote. “Pretty much all planning and heavy lifting [was] done by them and volunteers. Amazing to see community passion in action.”

Desert Bloom happened for the first time in May to instant social media chatter and general acclaim. The plan is to hold the event several times a year, with each event offering a new sound, a new atmosphere. Always involving music and some other type of art.

Live music played at the first Desert Bloom. DJs, with no live singing or instruments will perform Friday, starting 7 pm. They’re behind the decks through “someone knowing someone,” Franklin says, adding that with the success of the first, it was easier to get people to step up this time.

“We put a call out for people wanting to change the face of music,” Neighbors said.

DiBiase is a Desert Bloom volunteer and one of the artists who’ll join in. He’s not at all used to painting with others.

“My usual process is to paint alone in the middle of the night, and generally without music as I get absorbed in the “story” of the painting as I create,” he responded in an email. “… I’ve collaborated with a single other painter before, but never with seven at once, and then a whole audience pitching in! It’s going to be much faster, more electric, and more athletic than my normal experience, by far.”

Who’ll play off the other more is difficult to figure out, but Franklin thinks the images in the music can’t help but find their way into the art. “They’ll supply a texture,” Franklin says. “I don’t want to get too esoteric, but that’s how it goes sometimes.”

photo by nooccar/Flickr, Creative Commons

• Edited to correct Gangplank address – 11:29, July 15.

posted by Temple in Freebies,General,Music News and have Comments (2)