SoundLust

Before music there was silence

Archive for July, 2010

Was Going To Wait but … Take Your Medicine, The Quick & Easy Boys

Found about this Portland, Oregon band, The Quick & Easy Boys and I was going to hold on for a CD review of their sophomore release (ooh, dirty), Red Light Rabbit.

But hell, this is too good. Yep, easy going, polished and unbelievably energetic with great vocals. The keys in the ribcage from the video, below? Hilarious.

Take Your Medicine:

The Quick and Easy Boys have four imminent tour dates in Oregon and Seattle. Like right around the corner:

July 29, The Red Shed in Troutdale, Oregon. 6pm

July 30, Laurelthirst Pub, Portland, Oregon. 6pm

August 6, Blue Moon Tavern, Seattle, 9pm (Hey, I’ll be in Seattle that day!!)

August 13, Grand Lodge, Forest Grove, Oregon. 7pm. Part of the Americana Music Festival

posted by Temple in CD,Live Music,New Music,Video and have Comment (1)

Six New Bands. Look Them Up.

Took April 13, 2010 at Grinders Coffee in the Sunnyslope area of Phoenix. So few people have heard of these groups, it’s ridiculous. Violins are involved.

That’s Big.Fast.Easy
Thankful Birds
Mergence
Honey Pistol – one of the players works at Grinders, so, the pink highlight.
Banana Gun
About Freedom

posted by Temple in New Music,New Music Releases,Photography and have Comment (1)

Arizona Bands – CD / EP Release Shows on Animal Planet

You’re about to love you some snake and tiger noise!

The Phoenix music scene generally stays underground. Sometimes – as a fan, anyway – it’s better that way since intimacy remains.

That, and they stay hungry, bringing the raw and the edge out through voice and instruments. Again better for fans than band members but …

Miniature Tigers got their start in the Sol Valley. Cute as they are the band shows themselves Tuesday, July 27 at the Rhythm Room, ripping through a set to celebrate the release of Fortress (Modern Art Records). It’s their second release as they delve further into the weird.

The Spinto Band, Roar and the perennially overlooked Kinch are all part of the bill. Show starts at 8pm. Tickets available at Stinkweeds, Hoodlums, Zia and Ticketweb.com, or at the door.

And dearly beloved locally, Snake! Snake! Snakes! (a copy editor’s nightmare that) got themselves a self-titled EP out. They’ll hit the Rhythm Room August 11. All ages, and they’re that type of band to appeal to grannies in the old folk’s home and ten-year-old rocking out at home.

Gospel Claws and Sister Cities get some serious set time that night on the RR’s small stage – reach out and touch someone!

(Check a listen to two songs from the EP here, and “The Mountain Fire” via Phoenix New Times)

posted by Temple in New Music,New Music Releases and have No Comments

Three Keyboards and The Machine

thank you phoenixheads. means a ton..._b on Twitpic
from Silversun Pickups, their photo from Marquee Theatre stage, Phoenix, July 17, 2010

Just over an hour ago. Three bands at The Marquee in Phoenix. The best concert I’ve been to all year – for the music alone. Each band had a keyboard player, which is more rare than you think.

Also rare? All three bands good enough to headline. Not popular – good. The Henry Clay People were first and you usually expect some kind of throwaway (you shouldn’t have to expect that by the way) but they surprised me and the crowd I think by how skilled they were. They were also there after the show, selling their own merch., friendly, talkative. (Look for a SoundLust review of their new CD, Somewhere On the Golden Coast soon!)

And the keyboard off to stage right, left as the audience looked. Against Me were next. Been around, been good forever with controlled chaos chops and enthusiastically attacking everything they get their white-knuckled hands on.

Fans of hard-driving punk rock? See ‘em. Jump. They deserve respect and earn it. Keyboard player. Off to stage left, right as the audience looked.

And then there’s the Silversun Pickups.

Look, they were what made the show something different, something up, something soaring above. How? Why? They keep an edge to their live music; an experimental energy and unpredictability that invigorates – at some level – anyone else with a creative bone in their body made alive by music.

If they can keep it, that’ll bode well. Not only for the crowds, but for their own sustainability as a band.

I’d never seen them live and except for a little too much reliance on the machine gun guitar pedal effect, they jellified my soul. Their hits were suitably highlights — Panic Switch, Lazy Eye, The Royal We – but to me the thrill was seeing them perform and interact and amaze with every single song, fast and slow. Keyboard player, off to stage right, left as the audience looked.

I want anyone who has a chance to go, to report back and to let me know their experience.

For a band considering themselves small-scale, they have a simplistic set, with stunningly effective lighting that strobes the band in lines of color but often puts them in silhouette.

Tight’s not the right word, but in control – every second.

posted by Temple in Live Music and have Comments (2)

Beats and Brushes: Desert Bloom 2 Opens Up Music, Visual Collaboration

“If it sounds too good to be true, it probably is.” You’ve heard that. It’s wise.

Also, occasionally wrong.

Desert Bloom, and all its sights and sounds, plans to show you just how wrong by setting things right. Friday, the event that seeks to meld music and art heats up for Round 2. It’s free.

“It’s not a music festival,” says organizer Brandon Franklin. “It’s a hybrid.”

Beats and Brushes: Desert Bloom 2, brings together eight artists Gabe Velez, Heather Kozan, Jamie Mulhern, Nicholas DiBiase, Shannon Elizabeth Harden, Tony Deschiney, Victor Moreno and Dumperfoo. They and the public will paint with oils, watercolor, spackle – anything sanitary – with a background setting of seven sound-shifting DJs: [forced future], offering electro, industrial, cyberpunk sounds; Consumer (jungle / d&b); Halfacat (dubstep, d&b); Matt X (downbeat); Molotrash (60s Soul, RnB, 80s dance); RayRay (house, breaks); and William Reed (punk, new wave, Britpop) In the mix is a Jay McGavren light show.

Anyone who walks through the front door will suddenly have to decide what to do with the paintbrush smacked down in their palm. The goal by the end of the evening is to have four complete, large scale murals to likely be auctioned, painted by the artists and the audience.

The venue is free. The venue is Gangplank, a space rapidly gaining attention to the connected or those connected to them. Starting out as a shared work area for tech companies to share costs, and just as importantly ideas. It continues to grow into something bigger — and striving not to be too good to be true.

“No one get’s a free lunch.”

You’ve heard that, too. Gangplank won’t give you lunch, but they’re big on free. Free form. Free association. Freedom of thought. And increasingly, free space for different communities to find new ways to collaborate and eat lunch. Or dinner. Or 3 am burritos.

Branching out into music is new for Gangplank founder Derek Neighbors and his crew. Gangplank recently hosted its first Open Mic night for musicians, July 9, with Kenny Bump and Morgan Benavidez setting the tone before the spontaneous took over.

“Virtually every culture around the world has some form of music regardless of how remote or isolated,” Neighbors wrote to SoundLust. “It is at the very core of our DNA.

“For us music is one of the bases to express creativity. Which makes it a cornerstone of bringing in a culture of collaboration/ innovation. People looking to create are inspired and driven by other creators.  It only makes sense to have a building block like music supported to fuel creation.”

For Neighbors, support for growing Phoenix’s new economy comes about by “providing resources and outlets for all types of creatives.”

It’s within this freedom of space that Franklin, Brandon Mason, Greg Taylor and DiBaise started to believe their loose ideas for a hybrid clash of the arts could actually happen. Given a tour several months ago of Gangplank’s new digs in downtown Chandler (260 S. Arizona Ave.) Franklin said a planned recording studio, open to any style, and small-venue, high-end sound system seemed, well, too … perfect. But it set in motion Desert Bloom.

“I get teary-eyed just thinking about what they’re offering,” Franklin tells SoundLust. “It’s just ridiculous, ridiculous to even think of a free recording space. It’s unheard of but it’s going to happen.”

“[We] had one meeting with them and they ran with it,” Neighbors wrote. “Pretty much all planning and heavy lifting [was] done by them and volunteers. Amazing to see community passion in action.”

Desert Bloom happened for the first time in May to instant social media chatter and general acclaim. The plan is to hold the event several times a year, with each event offering a new sound, a new atmosphere. Always involving music and some other type of art.

Live music played at the first Desert Bloom. DJs, with no live singing or instruments will perform Friday, starting 7 pm. They’re behind the decks through “someone knowing someone,” Franklin says, adding that with the success of the first, it was easier to get people to step up this time.

“We put a call out for people wanting to change the face of music,” Neighbors said.

DiBiase is a Desert Bloom volunteer and one of the artists who’ll join in. He’s not at all used to painting with others.

“My usual process is to paint alone in the middle of the night, and generally without music as I get absorbed in the “story” of the painting as I create,” he responded in an email. “… I’ve collaborated with a single other painter before, but never with seven at once, and then a whole audience pitching in! It’s going to be much faster, more electric, and more athletic than my normal experience, by far.”

Who’ll play off the other more is difficult to figure out, but Franklin thinks the images in the music can’t help but find their way into the art. “They’ll supply a texture,” Franklin says. “I don’t want to get too esoteric, but that’s how it goes sometimes.”

photo by nooccar/Flickr, Creative Commons

• Edited to correct Gangplank address – 11:29, July 15.

posted by Temple in Freebies,General,Music News and have Comments (2)

Unexpected Duets

Duet: Do it!

Has the concept of “duet” evolved from the classic romantic musical setting of two people singing back and forth? Can’t be sure, but the Judgment Night soundtrack? In its entirety? Yes. That’s where my brain went when I thought of “duet.” (Check the track listing)

(from kouldeliee)

Two modern hits that juice me are Mariah Carey and Ole Dirty Bastard, Fantasy and Eminem’s Stan, performed on the VMAs with Elton John. The song, of course, originally featured Dido. The latter seems obvious, but if you haven’t played the song in awhile the counterpoint and depth of the story being told hits hard again. And, it was an event, in a way, because Eminem had been dragged through a shitstorm backwards for sounding homophobic in lyrics to other songs. Eminem later called the performance, “career roulette” in another song, “Business.”

(from estetsvid)

Generally the unexpected angle of these duets comes from a contrast in styles. A smooth, pristine delivery somehow illicitly brought together with the harshness of heavy metal or with anyone thought of as messed up. Mash-Ups are a whole spin-off of this idea, pushing groups or artists together that you wouldn’t immediately think would work. But it does — through a shared bass hook, melody line, or tone in the voices.

All this is close to the same thrill you get when you get a cover version of a song you may not love from an artist you absolutely love (or vice versa) — Nina Gordon adding grace to the gangsta of “Straight Outta Compton”, Incubus’ “Like a Virgin” or pretty much any cover Seether releases.

There’s a literal beauty and the beast concept going on here, too. Old Dirty Bastard and Mariah, Shane McGowan and Kirsty MacColl, and the ultimate, Sarah Brightman’s starring role opposite Michael Crawford’s phantom of the Opera.

posted by Temple in Hip-hop,Rock,Video and have No Comments

Funstyle – Liz Phair … wish you were here?

(SOUNDLUST REVIEW) — So as I was writing this review I fell asleep and dream-pictured Liz Phair, hands over bent-up knees, her face large-lipped, large-headed, floating above a small-bodied cartoon caricature, talking to people on stage with her. Not her band but fans, who’d crowded into this little anonymous, low-ceilinged place to listen to her play. “Normally we’d play packed,” she said, “but this one’s for the musicians and the band.” And then I woke up.

Tempted to say, Funstyle – it’s $5.99, just try the fucking thing. You get high-quality lossless mp3s and music that hasn’t been pasteurized.

Listening to Liz Phair here brings alive so many female music references. Madonna screaming, I have a reservation off of “Act of Contrition” started ringing in my ears, seconds after the bass hit of the amazing “Smoke” started.

Too, Janis Joplin’s rage at the world. Bjork’s loopiness at her most inspired and lucid, Tori’s intensity and obscurity. And Kim Carnes: She’ll turn the music on you / You won’t have to think twice / She’s pure as New York snow /She’s got Bette Davis eyes. / And she’ll tease you / She’ll unease you /All the better just to please you / She’s precocious and she knows / Just what it takes to make a pro blush / She’s got Greta Garbo stand-off sighs / She’s got Bette Davis eyes.

And, well, you know listening to Phair you’ll get her throaty voice. A sound full of resonant scratchy timbre that always pushed her past twee. Distinctive, character-filled. Can carry anything. She delivers malice aforethought with a smiling sneer, can turn on the innocence while gently but firmly, sliding cold steel inside you. Give me sharp wit over all the other shit. Anger in song, raged or quiet — almost pure ecstasy.

I wet my jeans listening to Funstyle.

As I always asks when someone inspires me, where the shit is this coming from? If all this obscure, random yet beautiful sound just flows from her au naturel – I love her more. There’s the ripe ballad-folk of “You Should Know Me” and “Miss September,” delicious hilarity on “Smoke” and “U Hate It”, “Bollywood” and “Beat Is Up”. That fine line between pretentious, self-indulgent and art? Phair always stays on the right side, while simultaneously redefining it.

Read more…

posted by Temple in CD,New Music Releases,Review and have Comments (5)

Authority Zero – Stories of Survival

(SOUNDLUST REVIEW) — “Hello, girls and boys. Today we’re going to make music. Happy music and sad music. Funny music and serious music. Music that has many of the feelings we have. So get your instrument and come along with me. Let’s put some of our feelings into music.” — Wake Up Call.

I want to play “The Remedy” over and over again, forever.

I look forward to it. I crave it. It’s disappointing, then, that Stories of Survival, Authority Zero’s bass-spanking new release, doesn’t have more “can’t get enough” tunes.

Expecting to be blown away, this release seems more of a blown opportunity.

With a history of being hard to define – with ska-punk being the most common shorthand – the band seems to have played it safe and gone for an unsound sound formula. I love this band with a passion, so it pains me to write that. But after several listens, I’m not as excited as I should be.

This truth is all the more bitter to swallow because they’ve packed so many memorable, fine moments in such a few albums (4 previous, including a live 2006 release). “Taking On The World” is my all-time favorite A.Z. original recording. I can and still do go to it regularly when I’m unsure how I want to start my listening day. It has musical elements missing from anything on SoS. Like energy. Quirkiness, too, as on on the 50s croon of “Prom Night” or the surfer music, soundtrack crazy vibe of “Chili con Crudo” that compels movement in paralyzed people.
Read more…

posted by Temple in CD,New Music,New Music Releases,Review and have No Comments

Downloading Liz Phair’s Newest

Right now, that’s what happening. Funstyle – available at her Web site, lizphair.com without a record deal … I’ve been warned that the rap record may suck. It may be an F U to …. Wait, what? Yeah, you read that right. A Rap record from the poison-barbed indie artist of the mid-90s. Gulp. Whip Smart wasn’t just the name of her second album, it defined her. Let’s she if she can pull off ironic through music.

posted by Temple in CD,New Music,New Music Releases and have No Comments

More Bands Formally Join AZ Boycott Over SB1070

(PHOENIX) SoundLust e-mailed The Sound Strike the day our previous article on boycotting Arizona was originally published, June 24, asking for any other bands that had joined the boycott. The site had not been updated since May 25, the day the effort launched. We did not receive a reply, but last week the boycott group announced Nine Inch Nails and many others — now including non-musicians — had joined in.

Ben Harper, Chris Rock, Maroon 5 and others are boycotting Arizona in protest of state Senate Bill 1070, which, among other things, allows state DPS police to request papers of anyone they suspect is here illegally. Supporters of the bill say the law merely echoes a federal immigration law.

The list of boycotting artists and musicians is 198 (a couple of artists are repeated in the list.)

Our previous article highlighted Stateside Presents concert promoter Charles Levy and his open letter on the issue, encouraging artists to rethink their position, saying they were hurting people and fans with unintended consequences.

Friday, Bright Eyes lead singer Conor Oberst, a voice active in The Sound Strike, replied:

Read more…

posted by Temple in General,Music News and have Comment (1)